![]() The difference is obviously diminished to 2/3 of a stop when you compare the D810 with the D800 / D800E, but it is still an advantage. It seems the problem comes from the fact that the various LUT tables in the profiles are applied after white balance, excluding clipped data. Just take a look at what Adobe Camera RAW was doing to the D810 images at ISO 12800 (Left: Nikon D810, Right: Nikon D800E). I also tried to modify the different profile curves to smooth them but without success (using DCP tool). I tried to modify the different profiles using the Adobe tool, but it is too imprecise. 1,746,000 recognized programs - 5,228,000 known versions - Software News. This example is pretty obvious (rendered using the Camera Standard profile, the best profile): Adobe Camera Raw 9.1.1: The camera raw functionality in Adobe Photoshop software provides fast and easy access to the raw image formats produced by many leading professional and midrange digital cameras. Then, the same rendered with Capture One 7, much smoother: There is a harsh transition from white to yellow, then from yellow to orange, then from orange to the wall color: This is from a D800 using the Adobe Standard profile (please note that using Camera Standard, the rendition is better but not perfect either). ![]() This has been greatly improved with PV2012 and with v4 profiles (including compensation for the BaselinExposure tag), but their are still situation were nothing can be done: Photoshop CS 5 owners should not be surprised if Adobe activates that 1 release version upgrade policy for CS 7.IMO ACR's rendition around highlights has always been its week point. Camera Raw 6.7 adds support for Nikon D800, D800E as well as D4 as well as lens profile for the new Nikon 85mm 1.8G lens. ![]() It has gone through initial testing and is available for download, but may be further revised before it is widely distributued to all customers. After much online discussion suggesting the policy change had not been announced far enough in advance, Adobe did not implement that policy change at that time. The new version 6.7 is currently a release candidate. ![]() When the release of CS 6 was approaching, Adobe announced a change to their upgrade pricing policy, such that upgrade pricing would only extend back 1 release version, and only CS 5 owners would qualify for CS 6 upgrade pricing. When/If you decide to upgrade from CS 2, you no longer qualify for upgrade pricing. Owners of CS 3, CS 4, CS 5 currently qualify for CS 6 upgrade pricing. The D800 and D800E always begins Adobe RGB file names with an. So registered CS 2 owners qualified for upgrade pricing up to and including CS 5. Adobe Camera Raw/D800 nef Started Discussions thread Forum: Parent: First: Previous: Next: Flat view: Robin Casady Forum Pro Posts: 12,898 Re: Adobe Camera Raw/D800 nef In reply to. Maybe you share a camera with the boss and want to know which shots you made as opposed to her. Camera Raw plug-in | Supported camerasįrom that link we see that the D800 was first supported with ACR 6.7 (CS 5 Camera Raw/Lightroom 3).Īdobe offers upgrade pricing ($199) 3 release versions back. There are well over 100 Raw file formats.Īdobe has to reverse engineer each new Raw file format that appears. I believe that you are running Elements and at this time you need the most up to date Adobe Raw program which is 7.1 which include the D800 camera, Elements at this time does not use 7.1 as this program was rewriten to work in Lightroom and Photoshop CS6, (same. Each new camera model from those camera makers has a unique Raw file format. Albert: what Phhotoshop are you running Elements (), Lightroom, or Photoshop CS as this will make a difference in what you can do. Many camera makers use proprietary Raw file formats.
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